Walk the entire MCX floor, zone by zone, the way a production actually flows — from the door, through live and virtual, into cinema and music, and out through colour.
A tour is organised around the building. A route is organised around the decision you came to make — which is why the order below matters more than the list. Capture, switch, finish: the floor is laid out the way a production actually runs, so what you shoot in Zone 04 can be graded in Zone 08 before you leave.
Message the floor and a specialist answers — not a queue.
The layout follows production order rather than product category. Enter through the network that carries everything, move through acquisition and live, cross into music and performance, finish in colour.
The layout follows the way a production is experienced: enter the centre, move into live and virtual production, step into cinema and IP video, cross into music creation, then complete the journey through recording and finishing. Footage shot in Zone 04 can be graded in Zone 08 the same day.
The floor is laid out the way a production runs. What you shoot in Zone 04 can be graded in Zone 08 the same afternoon — which is the whole argument for putting them under one roof.
A specialist asks what you came to decide, then builds the route around the answer — because two zones done properly beats eight rushed.
A hybrid Vizrt SDI/NDI chain and a complete Blackmagic ATEM ecosystem, on the same cameras and the same network.
A green set with real-time compositing and Vizrt Virtual Studio Go — virtual production at a budget the region can actually reach.
Blackmagic's flagship line-up on one bench, one prime, one Colbor setup — so the only variable is the camera.
Standalone AKAI systems through Universal Audio conversion, monitored on Dynaudio.
Marshall amplification, a deep pedalboard and TONEX modelling — same guitar, same speakers, at the volume you actually play.
Premium microphones, studio-grade preamps and two philosophies of compression, on monitoring corrected for the room.
Shot in Zone 04, mixed in Zone 07, finished here — the full DaVinci Resolve ecosystem with a resident specialist.
Tell us which of these you are when you book, and the route is built around it.
Compare hybrid IP against pure SDI on the same cameras, and see what one operator can realistically run.
Five cinema bodies under identical light and glass, then graded the same day in a colour-managed suite.
Build a track, track it through a studio-grade chain, perform it on a real stage, mix it on corrected monitoring.
Watch NDI, Dante, SRT and ST 2110 share one NETGEAR Pro AV backbone under load, and take the design away.
The full Resolve ecosystem on calibrated reference, with the region's only T3-certified trainer.
A curriculum-shaped route through a working facility, taught by practitioners rather than demonstrated.
Tell us what you are deciding and the room is configured before you arrive.
Tell us your discipline and what you need to decide. We map the route, configure the zones and have the right specialist waiting.
Nothing on this walkthrough is a render or a mock-up. The zones are configured and live every day, which is why the route can be walked rather than described.
Every zone is live and configured. Book a specialist-led visit and put your hands on it.
A shot to grade, a track to mix, a running order to switch. Free, by appointment.